A seasonal ledger of perception, SS25 gathers fragments that orbit the edge of visibility — misted horizons, vortexes, the haunted geometry of the chair, traces of voids. Photography, etching, ink, aerosol, and digital prints converge into a field where the historical and the apocalyptic blur, images echoing like lost transmissions, half-remembered, half-erased. This body of work turns toward the threshold: where sight falters, memory fractures, and meaning hovers unresolved.